Charlie Watts ’25 to represent Mount Holyoke College at Glascock Poetry Contest

Photo courtesy of Max Wilhelm

Charlie Watts ’25 has been selected to repesent Mount Holyoke College at the Glascock Poetry Contest. “I would really love for people to feel seen,” she says regarding her poetry reading.

The 102th Kathryn Irene Glascock Intercollegiate Poetry Contest will take place at Mount Holyoke College on Apr. 3 and 4, 2025. It is the oldest continuously-running intercollegiate poetry contest in the country. This year, all of the contestants hail from either historically women’s colleges or gender-diverse women’s colleges. In the days leading up to the contest, Mount Holyoke News will be releasing digital-exclusive profiles of each poet-contestant.

By Isabel Dunn ’27

Books Editor

Charlie Watts ’25 doesn’t remember a time when she hasn’t been writing. This week, she will represent Mount Holyoke College at the 2025 Kathryn Irene Glascock Intercollegiate Poetry Contest. 

“I did not like poetry until high school,” Watts admitted in an interview with Mount Holyoke News. “I had a teacher who showed me some Sharon Olds’ poetry, and that converted me into liking it because it was a much more confessional style.”

In her own writing, Watts hopes to draw on that confessional style. She is inspired by poets like Olds whose writing evokes a realistic, creative nonfiction style. 

“There's a poem of [Olds’] called Cambridge Elegy,” Watts said. “The narrator of the poem is remembering a love interest or boyfriend who's died. And I read it on a train, and I was crying on the train.”

The selection of poems that Watts will present at the contest were written “all in one jumble” during an emotional time. She spoke about how her poetry is often about herself, but how she hopes it can connect to others.

“I would really love for people to feel seen or listened to,” she said. “I guess I write poetry a lot of times, I think, to make myself feel less alone … I would really like people to come out of this feeling more understood if their experiences are anything like mine.”

Beyond Glascock and the College, Watts hopes to continue writing in some capacity. Following her passion for working creatively, she has many artistic goals.

“I would love to be a fiction author one day eventually, just ’cause that's kind of always been the dream,” she said. “I would love to get an MFA in creative writing. I would love to be a professor of creative writing … I would just love to be surrounded by  writing and a reading atmosphere.”

Alayna Khan ’27 contributed fact-checking.

Elani Spencer talks poetry ahead of Glascock contest: “One of the best mediums for change”

Photo courtesy of Elani Spencer

Elani Spencer dreams of starting an artist residency or a slam poetry team in the future. She will represent Hollins University at the competition.

The 102th Kathryn Irene Glascock Intercollegiate Poetry Contest will take place at Mount Holyoke College on April 3 and 4, 2025. It is the oldest continuously-running intercollegiate poetry contest in the country. This year, all of the contestants hail from either historically women’s colleges or gender-diverse women’s colleges. In the days leading up to the contest, Mount Holyoke News will be releasing digital-exclusive profiles of each poet-contestant.

By Jesse Hausknecht-Brown ’25

Staff Writer | Podcast Producer

After her third grade English teacher hung a short story of hers on the wall and bragged about it to her mother, Elani Spencer knew she had to continue writing. 

“From then on, I would spend every single independent reading time writing in my journal in the back of the classroom,” Spencer said in an email to Mount Holyoke News. “Quickly, writing became a passion and not just a hobby.”

Spencer, a sophomore at Hollins University, will represent the university at Mount Holyoke College’s Kathryn Irene Glascock Intercollegiate Poetry Contest on April 3, 2025. Spencer is one of six contestants, all of whom are, for the first time in 97 years, from historically women’s colleges or gender-diverse colleges. Spencer is majoring in creative writing with a concentration in multicultural literature and is a business minor.

This won’t be Spencer’s first time competing in a poetry competition. In 2021, they won first place at the secondAnnual Juneteenth Poetry Slam with their poem “11 reasons why this is our home,” which they will read again for the Glascock Poetry Contest. 

“Although I have participated in a poetry competition in the past, this is my first time competing on a regional level,” Spencer said. “I know the room is going to be bursting with talent, and I can’t wait to learn from all the participants, judges, and Mount Holyoke staff. Also, I’m looking forward to sharing my work with new people, and connecting with other young writers.”

Spencer explained that Michelle DeGroot, chair of the Department of English and Creative Writing at Hollins University, believed she would be a good choice to represent Hollins given that she, as Roanoke, Virginia’s inaugural Youth Poet Laureate, has experience performing her poetry.

Through their poetry, Spencer hopes to inspire others to both engage with poetry as a form and to create change. “Poetry is one the best mediums for change, so if everyone partakes in it, I think we can do a lot of good in the world,” Spencer said.

“I explore current events, racial discrimination, intersectionality, familial relationships, ancestry, mental health, poverty, feminism, and generational trauma,” Spencer said. “I delve deep into these serious topics for the purpose of finding healing, encouraging reflection, and creating a safe space for others to feel understood.”

They draw inspiration from Danez Smith’s poem “Dinosaurs in the Hood” because of its critique of Black representation in film and media. In the poem, Smith writes, “I want Viola Davis to save the city in the last scene with a black fist afro pick / through the last dinosaur’s long, cold-blood neck. But this can’t be / a black movie. This can’t be a black movie.”

Spencer states that “through this poem, [Smith] tells his readers that we must advocate for [and] make art that showcases the Black community in a genuine, authentic light. This is exactly what I strive to do within my own poetry by writing about my experiences as a Black woman.”

When she isn’t writing poetry, Spencer also enjoys writing fiction — specifically magical realism — and has a passion for fantasy. Her ultimate goal is to run her own “fantasy-themed artist residency where writers come to create and engage in community together.” As a reader, she also likes the high fantasy genre, especially when it includes “heist plots and a dash of romance, murder mysteries, and literally anything with a queer character.”

While Spencer wants to continue making art and publish her writing in book form, she also wants to ground her work in teaching and mentorship. “I aspire to start my own slam poetry team where I coach young adults to prepare them for competitions,” Spencer said. “Also, I want to teach freelance creative writing workshops for all ages, and inspire more people to engage in poetry.”

Alayna Khan ’27 contributed fact-checking.

Miley Lu, Glascock contestant, explores the inherent “mystery” of poetry

Photo courtesy of Miley Lu

“In poetry, it’s important to keep secrets,” Miley Lu says. They will represent Vassar College at the Glascock Poetry Contest.

The 102th Kathryn Irene Glascock Intercollegiate Poetry Contest will take place at Mount Holyoke College on April 3 and 4, 2025. It is the oldest continuously-running intercollegiate poetry contest in the country. This year, all of the contestants hail from either historically women’s colleges or gender-diverse women’s colleges. In the days leading up to the contest, Mount Holyoke News will be releasing digital-exclusive profiles of each poet-contestant.

By Melanie Duronio ’26

Staff Writer

Since they were in elementary school, Miley Lu has “always written stuff” as a tool of creative expression while growing up. Now, as a senior with an English major and creative writing concentration at Vassar College, they have honed their work to be  showcased in this year’s Kathryn Irene Glascock Intercollegiate Poetry Contest.

“I was so excited when I read that [nomination] email,” Lu said. “I’ll be honest, I really had a severe bout of imposter syndrome … But I’m still very, very excited for it, and at the end of the day, it’s an incredible opportunity. And I would never want to give that up.”

Lu was nominated for the Glascock Poetry Contest by her Vassar professors. She describes the college as “a beautiful place with wonderful people,” who provided a nurturing environment for her creative works. Lu credits her English professor Timothy Liu as a mentor, who “really changed my path in life.”

“He’s a wonderful poet and he is Chinese American, he’s gay, he’s queer … to meet him and to read his poetry was the first time in my life that I was like, ‘Wow, someone like me can do this for a job and a living,’” Lu said. 

While writing, Lu often explores the inherent “mystery” and “confessional booth” aspect of poetry. Unlike when writing an essay or longer form story, Lu wants to leave their readers with an “aftertaste” of an emotion that is familiar yet indescribable. 

With this, they hope the audience can work on “untangling” themselves.

“The tangliness means that there’s something to work apart,” they said. “And I think that’s what makes it important. Not even always to do the untangling, but to recognize that there is something to pry and to poke at.”

This does not stop Lu from keeping secrets of their own in their writing. When writing about a vulnerable topic, they find it is “almost too much to just come out and say it,” and prefer to take advantage of unreliable narration in their prose.

“In poetry, it’s important to keep secrets,” Lu said. “You have to keep a couple cards very close to your chest … you're telling a very intimate story and a very intimate truth, but you are still allowed to keep some things close to you and to ask the reader to figure it out.”” 

Lu will read four poems at the Glascock Contest: “mother : morpho : man”; “smoke point ekphrastic”; “on earth we weigh the same as ever. and”; and “落井 / 下石 (well-fall / cast stone).” She finds that her pieces often turn into portraits of her loved ones, such as her mother and her partner, although does not consider them as love poems in a traditional sense.

“The most important things to you in your life are often what comes out of your writing, whether you mean to or not,” Lu said. “A lot of my poems end up being, or trying to be, portraiture of my loved ones.

“I was told once by Timothy Liu that you have to make the beloved visible,” Lu said.You have to give details or memories or little things that are important and unmistakable, that make this person so that they are  no one else.”  

Moving forward, Lu finds the path of academia to be most appealing. She sees herself continuing to work in poetry as a professor and publishing a collection of her works one day. 

“I would say I want to be a poet, but something I’ve been taught not to say is that,” Lu said. “Everyone who is a poet will say, ‘You’re a poet as long as you write poems.’” 

Sofia Ramon ’27 contributed fact-checking.

AT Rhodes discusses poetry and scripting ahead of Glascock contest

Photo courtesy of AT Rhodes

AT Rhodes, a writer across many genres, will represent Spelman College at the Glascock Poetry Contest. They say their poetry is about “really getting to the heart of the matter.”

The 102th Kathryn Irene Glascock Intercollegiate Poetry Contest will take place at Mount Holyoke College on April 3 and 4, 2025. It is the oldest continuously-running intercollegiate poetry contest in the country. This year, all of the contestants hail from either historically women’s colleges or gender-diverse women’s colleges. In the days leading up to the contest, Mount Holyoke News will be releasing digital-exclusive profiles of each poet-contestant.

By Cat McKenna ’28 

Staff Writer

AT Rhodes’ passion for poetry began in their ninth-grade English class. Now, as a senior at Spelman College, they will represent their school at the 2025 Kathryn Irene Glascock Intercollegiate Poetry Contest in early April. 

Rhodes credits Kevin Young’s poem “Song of Smoke,” a poem about love, as the piece that sparked their interest in poetry. “It was the first time I had realized how there was this whole other language behind just what was written,” Rhodes said in an interview with Mount Holyoke News. “It just really made me appreciate reading into things, looking closer at the world.”

One particularly resonant moment for Rhodes was sharing "Song of Smoke" with their mother. As they discussed the poem, their mother asked if the author was also Black. Their mother had not known Kevin Young’s background prior, but sensed it through the poem’s allusions. Through their mother's inference, Rhodes realized how poetry could reveal other perspectives, propelling their passion for writing.

“I just got obsessed with learning everything I could about poetry … So, I kind of spiraled from there,” Rhodes said. 

Beyond poetry, Rhodes has taken up narrative writing, growing an interest in writing scripts for films, especially video games. “Ever since I got deep into narrative stuff, I'm like, why am I not playing more video games?  So I would love to continue that thread, just writing, pretty much in any way I can.” 

More recently, they have ventured into writing video essays, enjoying the freedom of being able to discuss whatever comes to mind. Additionally, they are an avid reader of manga. 

When it comes to their poetry, Rhodes hopes people walk away with a glimpse into their life and perspective. “I would want them to feel like they're stepping into my world, like they're stepping into my living room. Like, no matter exactly what I'm expressing or feeling, I want them to feel like they're on my couch. Really getting to the heart of the matter,” they said.

Quill Nishi-Leonard ’27 contributed fact-checking.

Poetry to read: work by the 2023 Glascock contest judges

By Emma Platt ’26

Staff Writer

The Glascock Poetry Contest took place last week during the first weekend of National Poetry Month and featured work by students from across New England. The competition was judged by poets Eileen Myles, Evie Shockley and Hoa Nguyen. These established poets read selections of their work on the Saturday of the competition, but could only showcase a small portion of their work. For those wishing to explore more of their poetry, here are three more works by these authors.

“Prophesy” by Eileen Myles

In this poem, Myles uses both humor and evocative and odd imagery to transport the reader into a strange world that Myles writes from. Down to their writing utensil being “the devil’s cock” which is like “a fat burnt crayon.” Myles uses the Devil as a clear reference to the personification of pure evil. The poem is in free verse and lacks punctuation except for one period in the middle. 

Myles is from Cambridge, Massachusetts, and is a graduate of UMass Boston. They have published twenty volumes of both poetry and prose fiction as well as art journalism and libretto work. They have received four Lambda Book Awards, the Shelley Prize, a Guggenheim Fellowship and several other accolades.

“her tin skin” by Evie Shockley

In this poem, Shockley writes about insecurity and wishing to be like another person on the surface. She wants the subject’s “tin skin,” which is repeated over and over in the poem. She describes the subject’s “militant barbie breast” and “mountainous” curves as things that she desires. Shockley writes about her own brownness as well: “i / want my brownness / to cover all but the silver / edges of my tin skin.”

A graduate of Northwestern University, the University of Michigan and Duke University, Shockley is from Nashville, Tennessee. She has had fellowships with Cave Canem, the Millay Colony for the Arts, the American Council of Learned Societies and the Schomburg Center for Research in Black Culture of the New York Public Library. She has also been honored with the Holmes National Poetry Prize.

“Unused Baby” by Hoa Nguyen

In this poem, Nguyen writes with imagery from nature, folklore and religion to create a confusing but fascinating piece. She uses images of everything from blood to frogs to form strong images in the reader’s mind, drawing them in. This is similar to her general style of poetry, which poet Ocean Vuong once described as, “a poetics insistent on fragmentation and rupture as a mode of thinking and being in the world — one where, paradoxically, the very notion of fragmentation is, in itself, a whole. Her poems remind us that meaning, as we understand it, does not have to adhere to standard conventions of syntax.”

Nguyen was born in the Mekong Delta, Vietnam, and grew up in the  United States before settling in Canada where she now lives. She has written several books throughout her career and has been nominated for the Griffin Prize, Kingsley Tufts Award, National Book Award and the Governor General’s Literary Award. She has taught creative writing at the graduate and undergraduate levels as well as at community colleges